Four Female Creators You Should Know

I wanted to try something new and highlight a few of my favorite female creators. These influential women are among the best in the industry, each bringing their own uniqueness. They inspire me every day with their passion, their honesty, and their raw talent. I am going to talk about a little of their work and known upcoming projects, as well as bring attention to the fun quirks they share online, like their pets. I feel so grateful to have experienced having my reviews shared by these ladies, and I am looking forward to talking about them.

I was first introduced to her work through Feral, and I fell in love. She’s been drawing her whole life. Her art is playful, expressive, and bubbly. She is known for STRAY DOGS and has created covers for several other well-known series. She can be found traveling to conventions and comic shops, signing things, and greeting fans. Her Instagram is filled with her adventures, her brilliant art, and gives you adorable updates on her dog. Who is a star of their own. There are so many reasons you should be following her and collecting her creations. Make sure Feral is on your pull list!

I was gifted POISION IVY issues written by her, and when I finally had time to read them, I couldn’t put them down. Known for co-creating MS MARVEL, you might be surprised to learn that she has created more personal works related to her life in Egypt, which was named a Seattle Times Best Book of 2010. Her work is broad and deep rooted in meaning. I am excited to follow her creations accross her career and learn from the stories she brings to life. She says she enjoys talking about creative ideas, signing books, and taking photos. Keep an eye out for chances to meet her and ask her a good question.

This incredible woman is responsible for some of the best, most graphic horror comics I have ever read. From start to finish, she can do it all. I have written a review about her series Doll Parts, the origin story of Domino from Lovesick. Needless to say I am a huge fan hoping to cross her path one day to get a my covers signed so I can compliment her dedication in person. Her career in the industry is solidified and you would be wise to keep up with it. She is rapidly expanding her audience and creating beautiful pieces to buy for your collection. She takes commissions and has merch you can order through the link in her bio on Instagram.  

One of my friends put a Black Bag Variant of issue number one in my pull box for me to pick up later. When I got around to reading it, issue four had already come out. I was smitten, rushing to the comic shop the next day to buy the next three. She has an impressive list of ongoing creations under her belt as well as a love of cats. Her art is dripping with sex appeal that will have your jaw on the floor. You can catch her at conventions doing signings and selling her golden creations. I can’t urge you enough to follow her for her upcoming projects and indulge in her past work.

The multifacited women are paving their own paths across the industry and if you aren’t keeping up with at least one of them, you are missing out. I have linked all their Instagrams, which you can access by clicking their names above. I have also included links to my reviews for Feral and Doll Parts so you can check them out.

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The Cat Seed (A childrens story)

You can thank my son for this one. It’s based off a dream he had.

Oliver sat on the porch steps, watching other kids play down the street.
He wished he had someone to share the day with.
Sometimes, being the only kid around felt really lonely.

His mom sat beside him.
“I see that quiet look,” she said knowingly.
“I think I have something special for you.”

She handed him a tiny cloth bundle.
Inside was a round, golden seed shaped a bit like a dried mango pit.

“What is it?” Oliver whispered.
Mom smiled. “A seed that grows best when it’s cared for with love.
Plant it, and you just might grow a friend.”

Oliver felt warmth bloom in his chest.
“I’ll call it Mango,” he decided, cradling the seed.

He planted Mango in the soft garden soil and gave it a sprinkle of water.
“I’m here,” he said quietly. “And I hope you grow.”

Every morning, Oliver visited the tiny mound.
He talked to it, read to it, and told it about his day.
The garden didn’t feel so empty anymore.

One morning, he saw something amazing.
A sprout with two tiny leaf-ears poking up from the soil.

Day by day, Mango grew.
Little vine-whiskers curled from his face,
a green tail swished behind him,
and soft plant-fur sprouted like moss.

Oliver wasn’t lonely anymore.

Then one afternoon, Oliver found Mango drooping.
His leaf-ears sagged. His tail hung limp.
Oliver gasped. “Mango? What’s wrong?”

Mom kneels beside them.
“It’s okay,” she said. “Sometimes plants get tired after a chilly night or too much sun.”
She touched Mango’s stem gently.
“He just needs a little extra care.”

Oliver brought water and soft blankets to keep the breeze away.
He stayed by Mango’s side, humming quietly.
By the next morning, Mango stood tall again,
a bright orange flower blooming atop his leafy head.

After that, Mango followed Oliver everywhere.
They chased butterflies, napped in the shade,
and shared stories under the warm sun.

Oliver still had quiet days,
but never lonely ones.
Because sometimes, the smallest seed
can grow into the truest friend.

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News From The Fallout Review

It’s been a while since my last review! A busy summer with kids, trips, and the growth of other areas of my life filled my schedule to the brim. I have managed to keep up with a few of my favorite series, including a sci-fi horror miniseries by Chris Condon and Jeffery Alan Love. I will be the first to admit that I haven’t been writing much lately, but it’s time to get back to one of the things I enjoy the most. The gratitude I feel anytime someone reaches out to check on me or see what I’m up to is overwhelming. Thank you to anyone and everyone who keeps up with me and offers encouragement. I’m excited to talk about this one because not only is it a great read, but I owe a special thank you to designer Michael Tivey for sending me a signed first issue when I couldn’t find one locally. It had me foaming at the mouth for more.

Tivey is credited with designing the cryptic, in-universe launch website that teases story details. It felt like classified intelligence you’re not supposed to see. I found myself on the site for hours. It was the first time I had experienced something like this since I started collecting comics. I am in awe of the creativity that went into launching and developing this series. I could gush all day about how much I appreciate having these inspirational experiences in the comic industry. It has been full of kind professionals who have shared their knowledge and passion for art with me. I hope my reviews can expand their audience and bring attention to the work that goes into creating a comic book.

I went in expecting a piece of Cold War horror, and it delivered. From the opening page, you are engulfed in the grit of the desert and the threat of something dark lurking behind the military fences. A dangerous vision of what happens when the government decides human lives are a small price to pay for furthering their biological warfare.

Published by Image Comics in June 2025.

Writer-Chris Condon

Artist: Jeffery Alan Love

Letters-Hassan Otsmane-Elhaou

Designer-Michael Tivey

News From The Fallout is set in Nevada, 1962, where a nuclear test has released a contaminant, turning people into monsters. “The Rotten” are grotesque figures, shambling to spread their disease.  A single soldier, Otis Fallows, embarks on a desperate journey to find a safe haven rumored to be in Las Vegas. The stunning artwork gives it that classic horror film aesthetic, and the story carries you through the disaster with precision.

Condon’s script blends the voice of pulp war comics with the pacing of a survival thriller, making it feel as if you are clawing for your own safety, not just Private Fallows. We get small glimpses-a flicker of memory, a broken radio transmission, bodies moving where they shouldn’t be. That restraint brings the horror slowly until it feels inevitable to deny.

The monochrome art isn’t just aesthetic nostalgia; it reinforces the period setting. Bold shapes, smudged shadows, and landscapes that feel barren until you catch the glint of an eye or the curl of a deformed hand. Love makes you feel that “The Rotten” could have come out of a 1962 newspaper. He draws like someone chiseling a nightmare out of stone.

Beyond the surface scares, it’s about complacency and the fear of what happens when industrial power spins out of control. Condon and Love prey on our anxieties without ever breaking the story’s frame. It’s a throwback and a timely meditation on the monsters we create in pursuit of power. Together, they have made a prestige take on survival.

Every element of the comic, script, art, lettering, and design, works to build a brooding experience. An oppressive atmosphere that lets paranoia creep in. It’s engineered unease. I wasn’t surprised when issue 1 sold out quickly and was rushed back to print due to demand.

With so many great cover options for each issue, I suggest you grab as many copies as you can.

The creative team on this series is incredible. They all have previous projects and upcoming work that you should check out. You won’t be disappointed.

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What did you think about the art?

What was your favorite part of the series?

Did you have a favorite panel?

Answer in the box below.

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Doll Parts (A Lovesick Tale) Review

After a few incoming texts, I realized some of you noticed my drop in posting and engagement for a couple of weeks. I took a little time to rest through the anniversary of my dad’s passing and I am thankful for the love that exists in my life that holds space for me to grieve. I am beyond grateful and overwhelmed by the calls, texts, hugs, kisses, and food. An entire series could be made of all the beautiful ways my village carries me. Thank you for all of it. I am looking forward to getting back into a routine and reviewing.

I wish I could remember where or when I came across this series, but in truth, it doesn’t matter now because I’m in love with Luana Vecchio’s work. I expected horror, I expected gore, and I even expected it to be provocative. I did not expect to be quietly gutted while I read. This one has carved its place into my psyche and has taken up residence like a parasite. This journey from child to monster is enthralling. Like a roller coaster: you want off when it starts dropping, but once it’s over, you stand in line again, breathless.

Let’s talk about the amazing woman, Luana Vecchio. Working for several years now in the independent comic industry, she has secured a name for herself in horror. She won the Russ Manning Promising Newcomer Award, and it’s obvious why. She not only is a talented artist, but her fearless portrayal of the brutalization that occurs digitally has made her one of the most interesting creators. After self-publishing the erotic deep-dive into power, Lovesick, Image Comics picked it up and expanded it. It follows a dominatrix whose subscribers pay her to kill them online and enlightens us about the price of voyeurism.

That brings me to Doll Parts. A four-issue series published by Image in December 2024. It is the origin story of Domino, the dominatrix from Lovesick, as she learns how violence appears in girlhood. It’s tragically relatable while providing you insights into experiences none of us want to live through. I tried the last two weeks to do a couple of other reads, but this series was clawing the inside of my skull to be reviewed.

The covers are like a Highlights magazine for kids. Bright, bubbly, hidden objects for the eyes to find. It captures you with the illusion of softness, only to gradually rip out every preconceived idea you could have about its contents. There are so many variant covers I want, and I still need to add the physical copies of issues three and four to my collection. The variant covers, especially those by guest artists, bring fresh energy while honoring the tone of the series. They celebrate femininity and fragility, but always with an undercurrent of danger.

The story follows Madeleine as she navigates small betrayals by her parents. Her mother’s continual shaming of her and other women, and her father’s silence, have convinced her twelve-year-old mind that she shouldn’t exist. Ballet is a soft outlet for the hard truths tearing their way through her daily routine. Boys pawing at her changing body, and finding solace in the most disturbed recesses of the dark web, girlhood has become a battleground. With surgical precision, each layer of how Domino evolved is not just witnessed but felt. Her paneling slows time down in all the right places, letting you sit in the discomfort, in the ache of a girl who’s being devoured by the world around her. Readers are drawn into Madeleine’s limited understanding of what’s happening to her until she can’t unsee it anymore.

Beneath the horror lies a heartbeat of resistance. Who saves girls like Madeline when some of the monsters that plague us are inherited?


The answer, in this world, is Domino. And somehow, after reading this series, her violence feels less shocking and more tragic. Luana Vecchio doesn’t just tell stories. She exposes nerves. She writes Madeleine as a child. The tenderness with which she handles this character. Her loneliness, and her hunger to be seen, are what makes the horror so effective. We’re not watching a villain’s origin story. We’re watching a little girl be abandoned by every system meant to keep her safe.

For readers of Lovesick, Doll Parts offers depth through a slow-burn psychological horror about grief, purity culture, and how things online can quickly become real. This story didn’t just resonate with me, it haunted me. It demanded to be spoken about. It is, without exaggeration, one of the most impactful comics I’ve ever read.

A heartbreaking, harrowing descent into survival and self-transformation. Not for the faint of heart, but unforgettable for those who are brave enough to make it through.

Following the critical success of Doll Parts, Vecchio has teased another project in development—one that continues to explore the emotional landscape of young women, but with a new supernatural angle. While details are scarce, she’s confirmed it will not be a direct sequel, but it will carry spiritual connections to both Lovesick and Doll Parts.

In the meantime, she continues to produce variant covers for major publishers including DC (Poison Ivy, Harley Quinn), Titan (Conan the Barbarian), and Skybound (Creepshow), each dripping with her signature balance of elegance and discomfort.

How did Doll Parts leave you feeling? Answer in the comment box below.

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The Closet Issue 1 Review

When I picked up my first comic a few years ago, I never expected to form such a personal connection. With each creative I meet, each signed issue, and the accompanying story, I become emotionally invested.

My local comic book store, LFG Comic & Game, lost its beloved owner this past week. This has impacted his surviving family as they now seek to heal and determine the outcome of the store. While they process this devastating loss they have chosen to keep the store open as normal and I am asking that you pop by to add a few issues to your collection. I know the support will be greatly appreciated. I have included a link to their Facebook page, which can be accessed by clicking on their name above. In moments like this, I’m reminded how much local creators and comic spaces shape our stories.

In February 2025, I was at another local spot, The Venue, attending Gadsden Collector Con. A jam-packed convention that is growing with each event. They have another on July 26, 2025, at the same location. I can’t wait to see the place packed out again. I ended up venturing on stage to talk to the guest—Deegan Puchkor, who had comics and prints on display. I realized I already owned some of his work and kicked myself for not checking the guest list in advance. He was so genuine in the things he shared with me and it’s going to be a joy to run into him again one day. I asked him about the work he had done in horror and he showed me The Closet issue one he did a variant cover for. After he explained the plot to me, I knew it was my kind of material. I felt lucky to walk away with another signed first issue of a comic book I would read again and again for the heartstrings it pulls at.

Published in June 2022, it was a three-issue miniseries under James Tynion IV’s Tiny Onion imprint through Image Comics.

Written by- James Tynion IV
Art by- Gavin Fullerton
Colors by- Chris O’Halloran
Letters by- Tom Napolitano
Edited by- Greg Lockard
Design by- Dylan Todd

Be prepared, Tynion may take you back to your childhood with how familiar the story feels. I was disgusted in the best way by how “knowable” the characters were. The narrative is driven by slow tension, the words seep out of the page into your brain, filling in all the areas you thought you healed in therapy. It’s haunting to me how he feeds you emotional avoidance sugarcoated as good intentions. It goes down so easily. From Something Is Killing The Children to The Department Of Truth, I think you will find his work influential and devourable.

Gavin Fullerton’s art is the ultimate backdrop for such an intimately harrowing experience this comic gives you. Expressive faces and body language dance together to provide the perfect tempo to remind us of all the monsters that plagued us when we were young—not just the ones hiding in the dark, but the ones shaped by memory, trauma, and silence. I love it when the monsters feel real. After finishing The Closet, I’m beyond excited to dig into his earlier work like Bags. If this is your introduction to him, you’re in for something special.

Chris O’Halloran has such a range, his palette doesn’t scream horror—it whispers it, like a creak in the hallway you’re not sure you heard. With a résumé that includes Ice Cream Man, Immortal Hulk, and Ha-Ha, O’Halloran has proven time and again that he can carry the emotional rhythm of a book without overwhelming the line art. His contribution to The Closet intensifies the emotional weight of Jamie’s story in ways that are felt not just seen.

If you are a collector of unique horror, you need to keep an eye on all these individuals. Tynion is collaborating with Michael Walsh on Exquisite Corpses to feature a roster of industry-leading talent. Don’t worry I have a review planned. Tiny Onion has a huge fan here and I can’t help but spread the word.

Thom is sure that a move will cure his son, Jamie’s, fear of the monster in the closet. Maybe he’s drunk, but he just knows it will fix his family. Fix his marriage with Maggie. Sometimes what goes bump in the night can’t be chased away by turning on the light or throwing back a shot.

It’s the kind of horror that creeps up on you—a wicked sense of being watched, something looming just outside your peripheral vision. Watching denial damage a child’s truth felt as scary as the monster. The only comfort was the stuffed toy, adorably vulnerable. Fear doesn’t stay locked away—it follows us, shapes us, and sometimes teaches us how to survive. If you indulge in horror that opens the door to how far fear can follow you, The Closet is for you!

Have you read The Closet? Did it hit you the way it hit me?

What monsters have you outgrown—or maybe haven’t?

Let’s talk horror, healing, and the comics that stick with us long after we close the cover. Answer in the comments box below!

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Juan Doe’s Spectro One-Shot Review

I am learning with each review to make them more mobile-friendly.
The cover art for Spectro was enough to convince me to take it home. I now know what “neon noir” is. This will be my first time reviewing something from Aftershock, but by far not my last. I enjoyed this sci-fi horror anthology so much. Existential dread laced with fear and isolation wraps you up in four unique stories exploring social pressure, betrayal, and cosmic spectrums.

Published May 2022 by Aftershock Comics, and created by Juan Doe, you get to see how versatile his talents are. From writing the story to drawing the art, he showcased the perfect blend of dark tones, and texture, lit up by his signature style. Immersive visuals are all through this oversized magazine format. His having full control of this creation gives a unified vision for each story to deliver cohesive narratives. Doe has been involved in many projects like Bad Reception, and American Monster to name a couple. Spectro is my first introduction to his work and I am going to be adding more to my collection.

All four tales poke holes in the way you think about your presence in life.

  • The Scale: A man is confronted with the worst and best versions of himself to learn the responsibility of balance.
  • Pluto: Arrogance leads to the controversial demotion of Pluto and karmic debts get paid.
  • Mons: Does ambition fuel you? A cautionary tale of legacy at any cost.
  • Overview: Human explorations reveal poisonous intentions.

My personal favorite was Pluto. The cut throat story was everything I enjoy carefully woven into a quick read.

This might be a one-shot, but it sticks with you long after you put it down. If you’re a fan of psychological horror you’ll want to get a copy. A trip to your local comic shop or eBay are my favorite resources.

I was looking into Aftershock Comics and found this recent article stating that they are returning to stores after filing for Chapter 11. Their website says “Two and a half years after voluntarily filing for Chapter 11 due to the impact of the COVID-19 pandemic, AfterShock Comics has emerged from bankruptcy protection restructured and fully prepared to meet its financial and contractual obligations – while initiating plans to reclaim its place as one of the most dynamic independent publishers of high-quality creator-owned comics in the industry.“

I’m excited to see what new creations come from Aftershock and Jaun Doe going forward.

What did you think? Answer in the comments box below and be sure to subscribe or follow my socials!

  • Which of the four tales stood out to you the most, and why?
  • Do you enjoy one-shots?
  • If you could expand one of the stories into a full series which one would it be?

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Gideon Falls Issue 1 Review

Before continuing, and to get the best experience out of WordPress, I suggest switching from mobile to tablet or desktop view. It shows the proper alignment of graphics and makes the text easier to read. I am working on a more mobile friendly view for future reviews.

One of my best friends has given me a short box of indie comics to review. The first one I grabbed out of it was Gideon Falls. Written by Jeff Lemire with art by Andrea Sorrentino, this cerebral horror story feels both grounded and surreal. A slow-burning mystery that drags you into this unsettling atmosphere, fracturing your sense of reality.

Writer- Jeff Lemire
Art – Andrea Sorrentino
Colors by- Dave Stewart
Lettering and Design by- Steve Wands
Edited by- Will Dennis

Published March 2018 by Image Comics.

The story introduces us to two seemingly disconnected protagonists. In the city, Norton, a troubled man, obsessively collects pieces of trash he believes are part of a larger conspiracy. He refers to it as the Black Barn. Meanwhile, in a rural town, Father Fred is reassigned to a parish in Gideon Falls. Burdened by secrets and loss, their stories start to unfold. Both men begin to unveil connections to a mysterious structure said to appear only in the moments before tragedy.

Jeff Lemire masterfully weaves two stories without overwhelming the reader, while hinting at a larger, cosmic horror. The dialogue’s sincere, especially in Norton’s therapy sessions, which convey his mental instability. Gideon Falls feels normal at first, but Lemire quickly undercuts any expectation you might have and sows darkness lurking beneath the town’s surface. I love the deliberate pacing, allowing tension to build rather than getting all the answers in issue one.

The art is nothing short of mesmerizing and feels like a visual backbone. Andrea Sorrentino’s work is purposeful and brilliantly reflects the character’s state of mind. Full-page spreads, jarring POV’s, and rotated panels draw you deeper into the horror at play. The wrapped reality experience makes Sorrentino’s art feel like more than an illustration.

Let’s also take a moment to appreciate the detail of this lovely cat sweater.

This series explores themes of faith, delusion, trauma, and the blurred line between reality and madness. Atmosphere is the priority, not answers. Emotionally disturbing in a way that makes you want to peel back the layers of each panel, unsure of what you’ll find.

Gideon Falls Issue #1 feels not only scary, but smart. While this issue raises more questions, it does so with style. If you’re into psychological thrillers, small-town mysteries, or elegantly crafted comics, this series is for you.

Questions for my reader to answer in the comments box below.

  • What did you think of the dual narrative structure—did one storyline (Norton vs. Father Fred) resonate with you more than the other? Why?
  • Do you believe Norton is uncovering a real mystery, or is it all in his head? How does the first issue play with your perception of reality?

If you like following along, be sure to subscribe or follow my socials for updates. I love hearing from my readers.

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Revival Issue 1 Review

Before continuing, and to get the best experience out of WordPress, I suggest switching from mobile to tablet or desktop view. It shows the proper alignment of graphics and makes the text easier to read.

I grabbed this May 2013, Image First, about two years ago at a comic shop because of the writer and the suggestion from one of my best friends. Seeley did a Nailbiter/Hack/Slash One-Shot with Joshua Williamson. I posted a review for Nailbiter a little while back! With it being one of my favorite series, I was not surprised when Revival delivered a “rural noir” unlike anything I have ever read. If you look at my copy, you can tell it has seen some love.

The first issue was published in July 2012. The series has done so well that it’s being adapted into a TV show set to air next month. The trailer, which I’ve included in the review, had me glued to the screen, and then hurrying to keep reading the rest of the series.

Let’s start with the art. I eat this style up every time. Mike Norton has an impressive list of creations under his belt, and I have a couple in my collection. The colors, line work, and panel layouts are the perfect frame to hold the story. I love how it has this disarming mask of humor, carrying the mystery of the Revivers.

Now that brings us to the writer, Tim Seeley, who has written several other series in my collection, like Money Shot. If you look this man up, I guarantee you will find something of his you love or have read already. I think this issue does well in luring you deeper into the plot.

Dana Cypress is an officer in central Wisconsin, about two hours from a town I’ve spent months in when I was traveling full-time. There is snow first page. I can confirm the whole state is composed of that, cheese, and barn quilts. She is preparing for another shift on a shorthanded force during her time with her son, Cooper. You get a peek into the demands of a working mother and the sacrifices made on behalf of survival.

She is indulging her donut craving when her dad, Wayne Cypress, pops up to dispatch her to a call in Wausau, WI. I wasn’t expecting the close-knit superiority, so the body language is fun to read. It starts to tell a story itself. Clearly, there are family secrets. It’s also the first time you get an ideal of Revival Day.

On the way to the call, she’s caught off guard by who she realizes to be her sister Em, overlooking the water from the side of a bridge. As sisters do, Dana interrogates her about her car troubles. There is a moment girlhood creeps in and they swear not to tell their dad that Em is riding along. I love the dialogue between them because there is a subtle yearning to be close in the way they communicate about shared experiences.

The crime scene is still buzzing with arguing neighbors and a dead animal when the pair arrive. Attempting to defuse the situation and investigate, she finds evidence pointing in an unlikely direction. This is where I enjoyed the appearance of a couple of adorable creatures. These cute barn kitties! I am going to spoil it to tell you that they aren’t the murderers. You will have to read the series to find out who is.

Revival packs a punch full of suspicious dynamics, and keeps you hooked with its unconventional portrayal of zombies. You won’t regret reading the series, and I’m sure your local comic shop would be happy to help you.

Questions for my readers to answer below.

  • Are you planning to watch the show?
  • What unspoken things can you pick up on from the art alone?
  • How many of you have read the whole series?

These reviews are evolving, and I appreciate the support. If you like following along, be sure to subscribe or follow my socials for updates. I love hearing from my readers.

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I Was A Fashion School Serial Killer Issue 1 Review

Before continuing, and to get the best experience out of WordPress, I suggest switching from mobile to tablet or desktop view. It shows the proper alignment of graphics and makes the text easier to read.

I was lucky enough to stumble upon this one before it was released so I was waiting. After reading the first issue, I am glad I added it to my pull list. I have mine at LFG Comics in Attalla, Alabama. Supporting small businesses is so important to me. Free Comic Book Day was today, May 3rd. I grabbed those and issue twelve of Feral. You can look for a post about my entire haul in the coming days. You can also look for issue two of this series to be released May 14, 2025.

Story-Doug Wagner
Art-Daniel Hillyard
Color-Michelle Madsen
Letters-Ed Dukeshire
Editor-Kevin Gardner
Logo-Rico Renzi
Design & Production-Erika Schnatz

The variant cover I got is spectacular. I felt like a teenage girl excited to read the latest fashion magazine. The art throughout the whole book had me “oooing”. That brings me to the artists, Michelle Madsen and Daniel Hillyard, who did an incredible job. Jae Lee did cover C, and I love it too! I’ll eventually try to add it to my collection.

Released in April of 2025 by Image Comics, it follows Rennie as she navigates fashion school and killing sprees. She has a special talent for disposing of her victims and making beautiful statement pieces. It gets her noticed by Sophie, a hard-working classmate who can’t help but be intrigued by the unique designs.

Issue one does a wonderful job of generating some good questions. We all want to know how she is going to survive with a secret out in the open and if everyone else will survive her itch to kill.

There is so much texture to this book. I was blown away by the layers already appearing in the story. I can’t wait to see how Rennie unfolds. Doug Wagner also co-created another comic of which I have issues one and two, called Plastic with Hillyard. It’s on my list to review.

These reviews bring me so much joy to share and create, and if you enjoy them please subscribe below or follow along through social media for updates.

Questions for my readers!

  • What did you guys get for Free Comic Book Day?
  • What comics are you looking forward to their release this year?
  • Do you have a favorite author?

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Proof Issue 1 Review

Before continuing, and to get the best experience out of my WordPress site, I suggest switching from mobile to tablet or desktop view. It shows the proper alignment of graphics and makes the text easier to read.

The other night I was scanning my collection for more of my comics from Image. Proof #1 caught my attention with the Bigfoot on the cover. It’s safe to say I enjoy all things to do with cryptids and the cover reads “If you believe in monsters, you need Proof.” I did a little research online and found that it was inspired by the X-Files, another favorite of mine.

It ran for 33 issues after being released in October 2007. I found the art enjoyable. I loved how the shadows paired with the scratchy outlines. It gave every panel great visuals. Riley Rossmo delivers excellence with every piece he produces. Alexander Grecian’s website says that a Proof compendium is coming out this year. It seems like several exciting things are going on for this series. My online dive into the series led me to an article saying that a TV show is in the works.

Image Comics’ ‘Proof’ Series In The Works At Fox From Cory Goodman, Jeremy Lott & Westbrook Studios

John “Proof” Prufrock and his new partner Ginger Brown are tasked with investigating where a couple has gone missing. A secret organization called The Lodge informs them it’s rumored to be the work of a Chupacabra. John is a Bigfoot himself and you get a fun perspective of his life early in the story. There is a peak into both of their lore and it makes me anxious to fill in my collection so I can read the rest.

With April less than two weeks away, I also wanted to bring attention to Free Comic Book Day. Depending on where you live, you can head to your local comic book store on May 3, 2025, to grab your freebies. Be sure to show support to small businesses and purchase something to add to your treasures.

A few questions for my readers.

  • Did you do Free Comic Book Day last year?
  • Do you believe in cryptids?
  • Are there any other series you would like to see made into a TV show?

Sharing these recommendations is a process I love learning more about. I appreciate all the support, tips, and everything in between. I will be making fun and engaging updates to all my social platforms this year. If you would like to follow along, please subscribe below.

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